Audio & Video Cables

Unleash Incredible Audio & Video Cable Deals in the UK: Your Friendly Guide to Choosing the Right Cables, Lengths, and Builds

Why the right audio and video cable matters more than you think

Ever set up a shiny new TV or sound system and thought, “Why doesn’t it look or sound quite right?” Nine times out of ten, the unsung hero (or culprit) is the cable. The right cable can sharpen your picture, clean up your signal, reduce hum, and even make your setup safer and easier to manage. The best part? You don’t need to overspend to get a real-world upgrade—you just need to match the cable to the job. From decorative braided twin-core lines to heavy-duty multicore control cables, there’s a perfect pick for every install, whether you’re building a home cinema, a streaming desk, or a small studio.

Below, we break down standout products you’ll find on trusted comparison listings—think braided Glorelle lines for lamps and speakers, rugged Lapp Olflex control cables for rack and automation work, and soldered RGBW leads to power your ambient lighting. We’ll talk lengths in feet, practical uses, easy buying tips, and how to avoid the most common mistakes. Let’s plug in.

Soldered Input Cable 3m RGBW: a ready-made pick for LED strips and ambient light (about 10 ft)

If you’re planning mood lighting behind a TV or around shelving, a pre-terminated RGBW cable saves time and fuss. The Soldered Input Cable 3m RGBW gives you a tidy, ready-to-use run of roughly 10 ft—ideal for connecting controllers to RGBW LED strips without having to crimp or solder on day one. It’s a solid choice when you want evenly powered lighting that doesn’t flicker or drop brightness along a short to medium route.

Who is this cable best for?

Anyone adding bias lighting to a TV, accent lighting to a gaming setup, or under-cabinet glow for a studio desk will appreciate a pre-soldered RGBW lead. It helps keep colour channels stable and keeps the install clean—no spaghetti wiring, no loose pixels.

Quick tip for planning your run

Measure twice, plug once. Ten feet comfortably bridges a controller tucked in your AV unit to a strip behind a screen or along a shelf. If you expect to snake around corners or furniture, give yourself a foot or two of slack, and consider extension connectors that preserve signal integrity.

Glorelle 1m Silver Braided Twisted 2 Core 0.75mm Cable Luxuria (about 3.3 ft): form meets function

Let’s talk style. The Luxuria Glorelle 1m Silver Braided Twisted 2 Core 0.75mm Cable looks the part in exposed runs—think pendant lamps, vintage audio corners, or on-shelf speaker wiring where you actually want the cable to show. Beyond looks, the braided jacket adds tactile durability and reduces tangles.

What can you wire with it?

This two-core format is commonly used for low-voltage lighting and passive speakers in short runs. The 0.75 spec (roughly comparable to 18 AWG) suits modest loads over short distances, such as a nearfield speaker pair or bedside lamps. If you’re wiring a feature light near your media wall, the silver braid can blend beautifully with brushed aluminium gear.

Why choose braided over plain PVC?

Braided cables don’t just look nicer—they’re also easier to dress, hold shape better on hooks or cable combs, and resist scuffing. If your setup lives on camera or in a curated space, a braided finish gives that premium, tidy look with practical upside.

Luxuria Glorelle 1m White and Lime Green braided options: colour-match your setup

Want the same braided benefits with a pop of colour? The Luxuria Glorelle 1m White Braided 2 Core and Lime Green Braided 2 Core options cover both minimalist and bold aesthetics. The white version disappears against light walls or furniture, while the lime green makes a confident statement in gaming setups, creative studios, or kids’ rooms.

Where colour really helps

Colour coding is clever. Use different colours for left/right speakers, sub feeds, or zones in a multi-light scene so you can trace a line at a glance. When you tweak or move gear, you won’t be guessing which cable goes where.

Luxuria Glorelle 25m Roll Black and Orange braided twisted 2 core (about 82 ft): bulk buy for bigger installs

Have a larger space or multiple zones to wire? The Luxuria Glorelle 25m Rolls (roughly 82 ft) in Black or Orange give you flexibility and savings in one go. You’ll cut custom lengths, keep looks consistent across rooms, and reduce waste compared to piecing together single-meter runs.

Great for whole-room or multi-room projects

Use a bulk roll when you’re wiring surround satellites along walls, running lamp circuits across a studio, or adding decorative LED power feeds around shelving. The braided jacket maintains a neat, uniform appearance no matter how many cut lengths you end up with.

“Cable 3182Y 2 Core Black 100m” roll (about 328 ft): the everyday workhorse

Sometimes you just need a dependable black twin-core for longer runs or multiple rooms. A 100 m roll translates to around 328 ft—plenty for a full home cinema and adjacent zones. This kind of flexible two-core is a go-to for basic power and low-voltage feeds when you’re not chasing aesthetics but want solid, tidy routing.

When to reach for the big roll

Bulk rolls shine when you’re kitting out an entire floor, building a workshop with multiple lamps, or running speaker lines in a modest setup where the cable stays hidden. Plan your pathways, label each run at both ends, and keep an offcut list; you’ll be surprised how many small projects those leftovers will cover.

Soldered Input 6 Core Cable 5m (about 16.4 ft): smart for control, lighting zones, and accessories

Need extra channels? A 6-core cable at around 16.4 ft gives you flexibility for multi-zone lighting, control signals, or compact rack interconnects. With pre-soldered ends, it’s easier to terminate at common blocks or controllers without breaking out the iron on day one.

Use cases that make sense

Pair a multicore with DMX lighting controllers, multi-button wall keypads, or modular smart home hubs. You can dedicate pairs for power and signal, or use separate cores for discrete channels—tidy, labelled, and future-ready.

Lapp Cable Olflex 191CY 12G1.5: shielded control for cleaner signals

If your setup includes motorised mounts, automation, or gear racks, the Lapp Cable Olflex 191CY 12G1.5 brings industrial-grade consistency with a shield to tame interference. While the model name references a metric size, you can think of each core as roughly comparable to 15–16 AWG in capacity—plenty for many control and low-power tasks when installed to spec.

Why shielding matters around AV gear

Shielding is your noise filter. Place control lines near power cables or within racks full of switch-mode supplies and you’ll welcome the extra protection. Lower noise floors can mean fewer glitches, cleaner control signals, and less troubleshooting later.

Lapp Cable 1313412 400CP 12-core 2.5: robust builds for demanding paths

Need more current per core and stronger mechanical protection? The Lapp 400CP in a 12-core configuration bumps conductor size up (roughly analogous to the 13–14 AWG range) and adds a rugged jacket. If you’re routing cables through cupboards, around moving furniture, or along cable trays where pressure and abrasion happen, this is the kind of build that survives real life.

When to choose thicker conductors

Longer runs and heavier loads benefit from thicker conductors to reduce voltage drop. If you’re pushing power to several control modules or lighting drivers across a lengthy path, upsizing the core saves headaches—your devices get the power they expect, and heat stays in check.

Lapp Olflex Classic FD 810 P and 810 CP: flexible champions for moving routes

Drag-chain rated cabling isn’t just for factories. If your gear involves motion—motorised projector lifts, sliding panels, or adjustable microphone booms—Lapp’s Olflex Classic FD 810 P (unshielded) and 810 CP (shielded) are designed to flex repeatedly without early failure. Models like the 12G2.5 and 5G1.5 in this family cover a wide range of channel counts and capacities.

Choosing between P and CP

Pick the CP (shielded) version when you expect electrical noise: near dimmers, switch-mode PSUs, or anywhere control lines run beside mains feeds. Stick with P for simpler, low-noise routes to save cost and keep the cable slightly more pliable.

Matching cables to your audio and video gear: simple rules that work

Cable selection boils down to this: pick the right conductor count, the right thickness, and the right jacket for the environment. Then keep runs as short as reasonably possible and don’t mix noisy and sensitive lines in tight bundles. Use the products above to mix and match aesthetics and performance without overcomplicating things.

Home cinema basics

For TV bias lighting, a pre-soldered RGBW lead around 10 ft keeps colour consistent and install time short. For speakers, short two-core braided lines look great on stands; longer unseen runs can use plain black twin-core from a bulk roll. Keep power and signal separated by a few inches to avoid hiss and hum.

Streaming and creative desks

Use braided 1 m sections (about 3.3 ft) for visible microphones or lamp feeds—colour coding helps when you’re moving gear for shoots. If you’ve got a motorised arm or slider, look to flexible lines like Olflex FD to avoid fractures under constant motion.

Compact studios and rehearsal rooms

Multicore cables simplify routing to patch bays or control boxes. A 6-core around 16.4 ft is a clean way to carry power and triggers in one jacket. Add shielding when you’re near dimmable lights or power amps to cut down on noise ingress.

But what about HDMI, optical, and speaker wire? Quick compatibility notes

HDMI and optical cables do the heavy lifting for digital audio and video signals, while the products featured above handle power, control, and some speaker duties. You’ll typically pair a quality HDMI for your display with braided twin-core lines for passive speakers or lamp circuits, and reserve your Lapp multicore for control and motion paths. Keep digital signal cables reasonably short—under about 10–15 ft is great for most HDMI links—and consider active or optical HDMI if you need much more distance.

Speaker cabling in brief

For short speaker runs in a desk or bookshelf setup, cables roughly comparable to 18 AWG are often fine. If you’re pushing longer runs to surround speakers, step up in thickness (closer to the 14–16 AWG neighborhood) to minimise loss. Use banana plugs or spades if you’re frequently swapping gear; bare wire is okay for permanent installs when properly terminated.

Length, gauge, and connectors: getting the fundamentals right

Think of cable thickness like the lanes on a motorway: more lanes (thicker cable) move more current with less congestion (voltage drop). For short, low-power routes, slimmer conductors are fine. For longer or heavier loads, go thicker. And when in doubt, give yourself a little margin—you’ll never regret a sturdier pick if the cable goes behind walls or inside cabinetry.

How long is too long?

For control, lighting, and low-voltage power, aim to keep runs tidy and direct. Rough ballpark: around 10–20 ft runs are easy for most small-gauge lines. Beyond that, consider thicker conductors or intermediate power points. For digital video like HDMI, stay as short as you can unless you’re using active or optical designs rated for longer distances.

Choosing connectors

Pre-soldered inputs are perfect for fast installs. For custom jobs, use screw terminals or quick-connect blocks so you can reconfigure without resoldering. Label everything—colours, channels, zones—at both ends. You’ll thank yourself later when you’re tracing a stubborn hum.

Safety, shielding, and separation: avoid the classic pitfalls

Keep low-level audio lines away from mains power and dimmers. If they must cross, do it at right angles. Use shielded cables (like the Olflex 191CY or 810 CP) where interference is likely. And don’t overload a thin cable—match the conductor size to the current draw of your devices and the length of the run.

Planning the route

A few inches of separation between power and sensitive lines can make all the difference. Use cable raceways or Velcro straps to keep bundles neat, and never sandwich delicate signal lines under heavy power cords or adapters.

Decor-first setups: why braided Glorelle looks so good on camera

If your setup is visible—YouTube studio, Twitch station, or an open-plan lounge—the braided Luxuria Glorelle range is a cheat code for style. The fabric texture diffuses light, hides minor twists, and frames your gear without glare. Whether you go white, silver, black, lime, or orange, you can coordinate with stands, shelves, and RGB lighting for a cohesive look.

Mixing braided with plain cables

Use braided where the cable shows—on stands, along shelves—then switch to plain black twin-core in hidden pathways to save money. Keep a consistent conductor size so performance remains uniform from end to end.

Install like a pro: simple cable management wins

Good cable management isn’t about spending a fortune—it’s about planning. Route vertical runs first, then horizontal; label every end; and leave service loops behind racks so you can pull devices without yanking on connectors. Stash spare length in gentle coils, never tight, and avoid sharp bends, especially with drag-chain or shielded cables.

Dress, label, test

Dress the cables in place, label them before powering up, and test each section as you go. If a device doesn’t behave, you can isolate the issue quickly instead of tearing apart the whole install.

Comparing offers the smart way: features, not just price

When you browse comparison listings, don’t just sort by the lowest price. Compare jacket type (braided vs. PVC), shielding, conductor count, approximate gauge, and flexibility rating. If a cable will live in a moving arm or a lift, prioritise a flexible pick like Olflex FD. For visible areas, braided Glorelle wins for aesthetics. For long hidden runs, bulk twin-core is your friend. Price matters, but fitness for purpose matters more.

Watch for bundle value

Pre-soldered leads and bulk rolls can both be value champs, depending on the project. If you need a quick 10 ft run, a pre-terminated RGBW lead is faster and often cheaper than buying tools for a one-off job. If you’re wiring a full room, bulk rolls slash the cost per foot.

A closer look at the featured products: quick-reference guide

- Soldered Input Cable 3m RGBW (about 10 ft): Pre-soldered, great for bias and accent lighting around TVs and shelves.

- Glorelle 1m Silver/White/Lime braided 2-core 0.75mm (about 3.3 ft): Stylish twin-core, roughly comparable to 18 AWG, ideal for visible lamp and short speaker runs.

- Luxuria Glorelle 25m rolls Black/Orange (about 82 ft): Bulk braided for consistent aesthetics across bigger installs.

- Cable 3182Y 2-core Black 100m roll (about 328 ft): No-nonsense twin-core workhorse for long or multiple hidden runs.

- Soldered Input 6 Core Cable 5m (about 16.4 ft): Multicore convenience for compact control and lighting zones.

- Lapp Olflex 191CY 12G1.5: Shielded control cable, solid for noise-prone environments in AV racks and automation.

- Lapp 1313412 400CP 12-core 2.5: Rugged and thicker cores for longer paths and sturdier installs.

- Lapp Olflex Classic FD 810 P / 810 CP: Flexible drag-chain stars for moving applications, with a shielded CP option for interference control.

When to upgrade and when to repurpose

Not every upgrade needs a brand-new cable. If your runs are short and cables are undamaged, you can repurpose twin-core lines from lamps for bookshelf speakers, or reuse a multicore for new control channels by relabelling. Upgrade when you notice signal noise, heat on longer runs, physical wear, or when you add moving elements—then switch to shielded or flexible variants as needed.

Tell-tale signs it’s time for better cabling

Buzzing or hum that changes when you move power bricks around? Video dropouts when the heater kicks in? Stiff jackets cracking after being flexed in a mic arm? Those are all classic signals to upshift to shielded lines, thicker conductors, or flex-rated cables.

Budget planning: where to spend and where to save

Spend more on cables that are hard to replace later: in-wall runs, inside furniture, and anywhere hidden behind heavy gear. Save on easy-access, short, visible runs—braided Glorelle lines don’t need to be expensive to look and feel premium. For long-term flexibility, keep a small stash of spare lengths, connectors, and labels in a box near your rack. That “spares stash” pays for itself the first time something goes wobbly five minutes before a movie night or stream.

The “good-better-best” approach

Good: bulk twin-core for hidden speaker/power runs. Better: braided 1 m braided lines for visible short runs. Best: shielded or flex-rated Lapp lines for racks, moving mounts, or electrically noisy environments. Mix and match to fit your exact space.

Final checks before you buy

Grab a tape measure and sketch your layout. Mark each device, the approximate cable path, and the lengths you’ll need. Round up to the nearest foot to account for routing around furniture, and remember strain relief—don’t pin connectors under stress. Once you’ve mapped the job, compare offers based on jacket, flexibility, shielding, conductor size, and total length. It’s amazing how quickly the right choice pops out when you know exactly what you need.

Conclusion: cables that make your setup shine

Great audio and video starts with smart cabling. Choose the right length, conductor size, and jacket for each route; keep noisy lines away from sensitive ones; and match aesthetics to visibility. Pre-soldered RGBW leads around 10 ft simplify bias lighting; braided Glorelle twin-core wins where looks matter; bulk twin-core covers long hidden runs; and Lapp Olflex steps in when you need shielding, thicker conductors, or motion-friendly jackets. With a clear plan and a careful comparison of features—not just price—you’ll build a setup that looks cleaner, sounds better, and lasts longer. Ready to wire once and enjoy for years? You’ve got this.